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Why Human Judgment Still Matters in Curating AI Art Exhibitions
Guidance for collectors, curators, and institutions evaluating and presenting AI-related artworks.
Every byline belongs to a real person you can look up, not a generic staff account.
We do not accept payment from galleries, studios or software makers in exchange for coverage.
Our editors work from a single office on Oldham Street, not a scattered freelance pool with no shared standard.
Every amendment is logged and dated at the foot of the article it concerns.
Every article carries the name of the editor or writer responsible, listed at the top of the piece. Our core team works from a single office in Manchester, and we do not publish under house pseudonyms.
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You can write to the editors directly through the contact form, naming the artist, exhibition or tool you think deserves coverage. A member of the editorial team reads every suggestion, though not every idea becomes a published feature.
Each feature draws on recorded interviews, published scholarship and public exhibition records, all named within the piece itself. We do not rely on unattributed quotes or secondhand aggregation.
We choose a story because an artist or researcher has something specific to say, not because a keyword is trending.
Eleanor WhitfieldCommissioning Editor, Visual Arts
Thomas AldridgeResearch & Fact-Checking LeadWe welcome questions about past articles, requests for topics we have not yet addressed, and corrections to anything we have published. A member of the editorial team reads every message personally.
Ochre & Circuit
